However, I decided to focus on a specific space, the bedroom, based on this assumption: when I find myself with a wide choice—of themes/formats/colors—then the tendency seems to be to subtract. That is, one tends to choose one or two works to avoid overwhelming the space.
Here, however, precisely because of the sober and precise orientation of the furniture, the lighting (both natural and artificial), and the neutral colors, we found that even the coexistence of multiple illustrations can be an excellent solution to implement.
Let's now see in detail what it means to place the works in four strategic points of the room in question: above a corner chest of drawers, in a niche where a desk space has been created, on a long, narrow shelf in front of the bed and above the bed itself.
I'll now virtually walk you through the room: upon entering the room, immediately to the right is a white and natural wood chest of drawers. We've deliberately chosen a contrasting black frame with a moving subject, not aligned with the cabinet, to further emphasize the movement of the wheels.
“However, I decided to focus on a specific area, the bedroom, starting from this assumption: when I find myself with a wide choice – of themes/formats/colors – then the trend seems to want to go by subtraction.